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Living Dead

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Living dead

Postby Malataur В» 01.03.2020


Text size: A A A. About the BFI. Press releases and media enquiries. Selling to the BFI. Your National Lottery funded project. Become a BFI Champion. Become a BFI Patron. Make a donation. Corporate support. Leave a legacy. Watch films on BFI Player. Enjoy BFI at home and help support us I want to…. Find out about international touring programmes. Get film recommendations.

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About BFI Education. Film industry statistics and reports. Future learning and skills — giving everyone the opportunity to build a lifelong relationship with film. I want to…. Browse our education events. Use film and TV in my classroom. Read research data and market intelligence. Horror films were never the same again after George A.

Romero set hordes of zombies loose in farmland Pennsylvania, 50 years ago. But what was new about it? Jon Towlson Updated: 29 October Night of the Living Dead Premiering 50 years ago, on 1 October , George A. Romero took the genre out of its gothic castles and swept away its cobwebs. Night of the Living Dead marked a transition in horror cinema: from the classic to the modern.

Less remarked upon, though, is how Romero effects this transition within the film itself, in its opening scenes. This landmark horror film begins in a cemetery, with nods to Vincent Price, s B-movies and Universal horror. There they are attacked by a zombie. Barbara flees from the graveyard amid lightning strikes straight from a Hammer movie to a remote farmhouse in the Pennsylvania countryside.

With this, we are taken into a stark new world of apocalyptic horror, far removed from the old monsters of Frankenstein and Dracula — into the world of Psycho , Repulsion , absurdism and a landscape of social-political meltdown. The transition continues with the arrival of the black protagonist Ben Duane Jones , and it soon becomes clear that the characters are besieged. Ben and Barbara attempt to fortify the farmhouse against zombie attack, turning it into a kind of nuclear bunker in the process.

The zombie is traditionally a blue-collar monster: Romero himself has cited White Zombie and Revolt of the Zombies — whose living dead toil in mills — as influences on his film. Indeed, modern-day zombies resurrected by science gone wrong were the subject of several B pictures made in the s by the director Edward L.

The real-game changer for Night of the Living Dead, though, was Romero making the zombies into flesh-eating beings, creating an allegory of a society devouring itself from within. Night of the Living Dead takes us into the apocalypse almost in real time. The story is compressed into a single night, as the title suggests, but within that, the apocalypse, or at least our growing realisation — along with that of the characters — that apocalypse is taking place, happens in 90 minutes of almost continuous time.

The effect is to create a very powerful sense of a definitive point of change: we see the precise moment that history collapses. Viewing Night of the Living Dead now is like watching a big bang in reverse — life as we know it diminishes at a rapid rate until suddenly there is nothing left on screen of the world we once knew. During a quiet moment, Ben and Barbara tell each other their backstories directly leading to them seeking refuge in the farmhouse.

We already know what has happened to her; she merely repeats what we have already seen. But somehow this redundancy increases the poignancy of the moment, the point at which we, along with the characters, realise that apocalypse is upon us and that the world is about to fall apart.

No other film of the 60s captured the allegorical moment so completely. Apocalypse was happening and there was no reversing it. After Night of the Living Dead, there was no going back to the old horrors. Father of the dead: George A Romero, the man who remade horror cinema. Back to the top. Teaching film, TV and media studies. Education events at BFI Southbank.

Viewing theatre hire. Archive content sales and licensing. Stills sales. BFI Southbank purchases. Skip to main content. Search for mobiles. Main navigation for mobiles. Why Night of the Living Dead was a big-bang moment for horror movies Horror films were never the same again after George A. Latest from the BFI News, features and opinion on the world of film.

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Postby Fenrira В» 01.03.2020

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Postby Tolkree В» 01.03.2020

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Postby Dokora В» 01.03.2020

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